September 2010
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Anonymous asked: Regarding your recent reblog of lapuravidagallery:
I suddenly got the urge to ask why you think it is "insanely good work." I do not ask this in any offense to your blog post or to the person's work. I just simply want to know what you see in it that makes it good because I just can't seem to explain why I like it as well.
I suddenly got the urge to ask why you think it is "insanely good work." I do not ask this in any offense to your blog post or to the person's work. I just simply want to know what you see in it that makes it good because I just can't seem to explain why I like it as well.
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Why the new Portra 400 film makes sense
It’s far easier and cheaper to make one film stock than two very separate stocks that are actually offering the same exact thing (skin tones) with the only differences in color saturation and contrast. So why not make one stock perform well enough for you to get the same end result as NC and VC?
The chart at Kodak details that the new film will feature NC’s famed contrast whereas...
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Kodak discontinues 400nc & 400vc →
randallisboredandon:
replaces them both with “portra 400”.
basically the opposite of what i wanted to happen.
We’ll live on. If the contrast is the same as NC it shouldn’t be hard at all to bring the color saturation down. I’m not too worried.
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WatchMy work environment this week.
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